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            <String>STEP 3 - MORRELL’s LAW</String>
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            <String>‘Before beginning each project, I write a letter to myself that asks the question: “Why is this book worth a year of my life?” There needs to be something about a book’s theme, its research, and the way it is written that grabs me and won’t let go.’
-- David Morrell </String>
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            <String>For a NiaD I answer this by checking a few key characteristics…
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            <String>Have I read / seen this story elsewhere?</String>
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            <String>Have I done this genre before / recently?</String>
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            <String>Would the story require any one chapter to contain a high degree of exposition instead of action?</String>
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            <String>Does the story rely on subtle evolution of character / voice / relationships etc that would be lost in the noise of the changing styles of different author?</String>
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            <String>Can the story be written without participants needing to be particularly versed in background / research?</String>
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            <String>Not personally, although I’m not hugely familiar with Apocalypse fiction</String>
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            <String>Potentially - need to consider how we’ll explain the cause of the apocalypse (if we bother)</String>
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            <String>No - in fact there is unlikely to be significant protagonist continuation over more than a few chapters</String>
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            <String>Yes - some might want to dig into specifics, such as White House layouts and such like that, but little *has* to be done.</String>
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